Cartoon ogre creature for Monster Monday group sketchblog. I’ll be posting some further info on Monster Monday in a future post, but for now it’s a new blog I started up with a weekly theme of monster art to rally myself and other participating artists to get a personal piece of artwork created at least once a week and share.
Yeah, I know – it looks kinda weird. And what is the SmudgeGuard exactly? As you can see from the product shot, it’s kind of a glove – one that only covers the pinky finger and the meaty area of the palm below.
Originally designed for artist lefties who were always smudging their work when drawing their palms across their artwork, it’s also useful for any artist working in pencil, charcoal or related media where a hand-drag can smudge the artwork. And, interestingly enough, it’s also quite useful for Wacom graphics tablet users.
Sometimes (and probably most of the time) merely seeing how an effect is achieved will offer no clues as to what it’s like to create that effect for yourself. Copying or mimicking the effect can help, but those moments where it works within your own artwork should be explored the moment they happen.
When these chance moments appear, when you have that ‘a ha!’ moment, be sure to dig deeper. I’ll share with you a recent ‘eureka’ moment I had while working on a t-shirt illustration project for a client.
I recently finished up this ‘Theology On Tap’ cartoon character mascot/logo project for a youth ministries client.
The client is a youth ministries minister, and his new program is focused on bringing discussions of theological matters into more casual settings to try and reach additional young people.
The artwork is intended to be used on various advertising and promotional materials, as well as a t-shirt design.
I thought it odd at first, but I suppose there’s nothing really wrong about talking about religious matters in a bar, right? And I suppose a minister knows the deal. My only concern was to create a great illustration for him and his project.
Anyways, read on for an in-depth overview of the process to create this cartoon character mascot/logo from start to finish, including unused sketches created along the way.
Cartoonist Mike Foran has a couple of cool number 2 pencil Photoshop brushes – free to download – that I stumbled across the other day. For some time now I have been on the casual lookout for a Photoshop brush that mimicked a regular-ol’ number 2 pencil. Seems Foran was on that line of thought as well.
Foran’s brush has a nice line quality, varied from thick to thin based on your Wacom tablet pressure, and has a slight angle similar to a flat-worn pencil tip.
The brush also has a nice light feel at light pressure, and darkens quickly with pressure added. The texture and look of the brush marks/pencil lines is perfect.
This Animator’s Survival Kit DVD set from Oscar-winning animator Richard Willams looks like a great resource for those animators out there. Personally, I do not have the patience for animation, but it’s fascinating to me.
This DVD set is a companion to Williams’ highly-rated Animator’s Survival Kit book. The site doesn’t seem to indicate if the book is included with the DVD set, but it seems not to be.
Richard Williams was awarded two Oscars for the animation on “Who Framed Roger Rabbit“. He directed and designed Roger Rabbit, Jessica Rabbit, Baby Herman and all the new characters for the Walt Disney/Steven Spielberg production.
The set isn’t cheap at £634.04 (or about $1,252.42 for us U.S. folks as of the date of this post).
A rough sketch of a cartoon pinup girl with American flag & mobile phone. This was drawn for a project I am currently working on for a client, updating their existing mascot character art to be used with the company logo and other branding. It was rejected due to not being the kind of pose the client wanted for the woman.
She has potential, but there are a few things proportion-wise that I think need to be reworked, particularly with her face — the lips are a bit low on the head, and the eyes are a bit off. These are all things that would have been tweaked in the revision stage.
At this point I wanted to get the general idea over to the client for feedback before I went too far, and in this case it was the smart thing to do since I will need to start from scratch with her.
“Average Joe” is a recent cartoon character mascot I created for a client. The project specs were pretty straightforward – two cartoon characters, one being “Average Joe” who would become the company mascot, and for this particular illustration he would need a sexy cartoon woman wrapped around him.
This project had a very tight deadline, so I got to work immediately on the sketches. The initial rough sketch was created to get the general idea down and to start the conversation. Being a tight deadline, I sent out a sketch that normally I would have refined a bit before sending. In this case, I needed immediate feedback on the direction so I sent this rough concept to get the client’s OK on the overall posing of the characters and the general look.
This cartoon character drawing was created for a friend’s upcoming party, which will also be doubling as a U.S. wedding reception for our friend Setty, who just got married over in India.
Setty is obsessed with the drinking dice game “Left, Right, Center”. He’s also notorious for exclaiming “Shots!” when out drinking, therefore the shot glass.
The friend who requested the art suggested creating it in the Odd Rods/”Big Daddy” Roth style which I am known to emulate from time to time.