This robot cartoon character mascot was created for children’s tech workshop Classroom Antics. The client was looking for a way to add some personality to their promotional materials and overall company branding.
The robot was one of three concepts for the character, including a kid superhero and a monster character, but after some initial rough sketches we all agreed a robot was the way to go.
A quick heads up to let you guys know that the “Character Design Sketching Approaches” post I put together for the awesome new Creative Sessions blog by the Envato team is up for your viewing pleasure.
The first Creative Session focuses on Character Design, and VectorTuts editor Sean Hodge approached me to author a post. Instead of a walkthrough, I thought it would be great to scratch one of my favorite itches: seeing other artist’s sketch process from rough to final.
This sexy bail bondswoman cartoon character design was created for—you guessed it, a bail bondswoman. The client wanted a woman character design that was sexy, but not too sexy, and had to be professional-looking as well.
A cartoon illustration & design project for a friend’s party required the resulting art to be suitable for reproduction on a photocopy machine. After some trial, error, Google search, trial, error, Google search, trial, error I discovered the magic combo that allows you to create a halftone in Photoshop for an image and print it out on your inkjet printer so the art will be perfect for photocopying.
This technique is perfect for flyers, newsletters or any other short-run printing needs you have where the cheapness of a photocopy is desired, but so are grayscale images.
If you aren’t familiar with cartoonist Tom Richmond, make yourself familiar. This guy’s work is absolutely amazing. Very much in the style of Mort Drucker from MAD Magazine — only taken to the extreme. Not only is his cartooning & caricature style excellent, but his color work is also phenomenal. Tom graciously has taken the time to outline exactly how he digitally colors his artwork in Photoshop in a juicily-detailed three-post tutorial/how-to series on his cartooning blog.
Primary, secondary, tertiary, complimentary, analagous, brightness, hue, value, saturation, tints, shades… do these words mean anything to you? They should.
A post by cartoonist Matt Glover points out ColorFAQ – very basic web guide to color theory. It got me poking around on the internet for some other sites with some more depth on the subject. Sometimes I forget how much I use color theory every single day, it’s just something that sometimes goes on autopilot and is an easy topic to forget to recommend to others.
I touched on the awesomeness of using multiple pencil grades in a previous post on essential cartoonist tools before, but there’s a great overview specifically on pencil grades by cartoonist Matt Glover. There’s some decent additional pencil grade classification information over at Wikipedia as well.
Find out what those cryptic “2B”, “HB”, “6H” and the rest really mean. Knowing the difference, having a full set of pencils with all the grades in the range is a must. This is the way to lay down very thick, dark blacks in your drawings as well as fine, light grays. It’s all in the blackness and hardness my friends.
Still using that pencil you found in the couch and an old dictionary as a drawing board? Don’t feel like the biggest computer wiz when it comes to graphics software? There are plenty of inexpensive tools out there that will boost your productivity and enjoyment level when drawing, sketching or just doodling. And you don’t have to spend a ton of money to expand your tool kit in ways that are sure to make your life much easier, giving you more time to draw.